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BlueDemon77
Member since June 4, 2012
Member for 13 years, 11 months
Goodbye/Lucky by Ron Woodruff
Goodbye/Lucky by RW
I have to find the barrier, the drop,
the scarier stop
The rest of the 80-90 empirical proof
If I'm a goof I'm glad to be so
loud and free
though I often whisper
Open scars and mean guitars
my family name will not last
The past, the apathetic Czars
the prototype, the blast
I am quite insane
looking through cellophane
but despite have had a transcendent life
Read the rest of the poem Show less
as fun as spontaneous writes rife
with honesty, sometimes ugly
somber or unleasant
and the stars above
and I the coiled pheasant
gripping underbrush shrub
when the grey sky breaks
and the guns discharge
It like wrestling is fake
and truth a colliding barge
for love and poetry's sake
I wish it more than goodbye.
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BlueDemon77’s timeline
- June 2022
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04 SatAnniversary
10 years of membership
- August 2017
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20 SunReceived a critique
on Goodbye/Lucky by Ron Woodruff from @arja
"wow! as usual, your mind has traversed into different fields of interesting ideas and places again.." - June 2017
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04 SunAnniversary
5 years of membership
- March 2015
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16 MonNew follower
@weirdelf
- October 2014
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07 TueNew follower
@Barbara Writes
- March 2014
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28 FriReceived a critique
on Goodbye/Lucky by Ron Woodruff from @eightmenout
"Speaks volumes. Sent me off into different mental planes and brought me back again. Hope all is going well with the book. Did you get the professorship? Scott" -
27 ThuReceived a critique
on Goodbye/Lucky by Ron Woodruff from @emeka ozurumba
"good collocation of massive ideas" -
26 Wed
- January 2014
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14 Tue
- December 2013
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24 TueReceived a critique
on eye level from @eightmenout
"Your language, as always, is superb. I liked the rhythm especially the third stanza. I do think the last two lines could use a little more of a dramatic break. Up to you,. just my take. topic is great, sounds like you m…" -
21 SatReceived a critique
on AP by BlueDemon77 from @weirdelf
"I want to give this a very different reading. http://vocaroo.com/i/s1lTgskhYkJC Big difference hey? I'm getting a blast from the vocaroo bit. Dig the poem. When self-flagellation is not enough, ask a woman who has falle…" -
10 TueCritiqued
"A maestro is born...Reviewed kind courtesy expert poets" by @loved
"Hi loved, In my earlier critique, I stated honestly that I felt you were drawing from the British Romantics and the French Symbolists movements to your detriment. This was later stated by Billy. Neither was a falling gu…" -
03 Tue
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03 Tue
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03 Tue
- November 2013
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29 FriCritiqued
"A maestro is born...Reviewed kind courtesy expert poets" by @loved
"Hi loved, I enjoyed your work, the truth, and the mythology behind it. That being said, I think you lose a lot in attempts to be "arch-poetic". As much as I love the Romantics and Symbolists, referencing back to that st…" -
26 Tue
- October 2013
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24 ThuCritiqued
"The Drags (with better spoken word link)" by @weirdelf
"It was a story well told, and your reading was flawless. Highest accolades on this fine piece. Ron" -
24 Thu
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24 ThuCritiqued
"Autumn Dreams 'with audio' " by @Barbara Writes
"I loved it. So calm and soothing and read with just the right amount of import. You're a natural! Thanks Barbara! Ron" -
24 ThuPosted a poem
Anti-Randology-Anapestic Hexameter by Ron Woodruff (bluedemon77)
"http://vocaroo.com/i/s0wApGX3ajh6" - September 2013
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30 MonCritiqued
"Quatrain of Pentemeter - iamb " The Bottom Line " workshop " by @Barbara Writes
"When you look at Wesley's famous example: "TO be OR not TO be, THAT is THE quesTION WHETHer 'TIS noBLER of THE Mind to SUFfer THE slings AND arR0WS of OUTra GEous FORtune." You can see that he is following a very strict…" -
30 MonCritiqued
"Quatrain of Pentemeter - iamb " The Bottom Line " workshop " by @Barbara Writes
"The key to Iambic pentameter is that it begins with a stressed syllable, followed by an unstressed one. This combination of two syllables is called an IAMB or foot. In Iambic pentameter, there are five feet per line. Yo…" -
30 Mon
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30 MonCritiqued
"Quatrain of Pentemeter - iamb " The Bottom Line " workshop " by @Barbara Writes
"Iambic is kind of easy for me, one of those things that just clicked, with all my years of playing bass. I took Wesley's Dum de Dum de Dum de Dum de Dum de HERE is / A line /THAT per/HAPS will/ DEfine ANy/ ISsues/ THAT…" -
30 MonPosted a poem
"The Dome": Dactylic Hexameter quatrain- Ron Woodruff
"The Dome by Ron Woodruff (BlueDemon77)" -
26 Thu
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23 Mon
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23 MonPosted a poem
Trochaic pentameter-Ron for Bottom Line workshop
"Silence deafens growls under the forest" -
17 TuePosted a poem
Scansion and Iambic quatrain (workshop)
"1. “When I have FEARS that I may CEASE to BE…” (Keats)" -
17 TueCritiqued
"Rula's iamb quatrain (Bottom Line WS)" by @Rula
"Technically, the use of 'occults' as verb is correct according to the online dictionary sources I checked. My apologies; I hadn't seen it used that way before. Ron" -
04 Wed
- June 2013
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04 TueAnniversary
One year of membership
- November 2012
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10 SatNew follower
@Seren
- October 2012
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29 MonNew follower
@Blaqueman
- August 2012
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04 Sat
- June 2012
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15 FriHighest posting month
June 2012 — 10 poems
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11 MonFirst critique offered
on "R A Y N E . . . . . . " by @Esker
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10 SunFirst publication
4/4
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04 MonJoined Neopoet
Membership begins
First poem published 7 days later.
About Me
I have studied and loved what is considered High Literature but I still care as much about the vitality of a genre writing. Much of my poetry comes from the topics of Love, War, a pattern to the universe, what it all means, sexuality, and narrative storytelling. I love enhabiting other voices.
Location: Columbus, Ohio, USA
Rimbaud
Coleridge
Sylvia Plath
Robert Lowell
Allen Ginsberg
Ai
Langston Hughes
Maxine Kumin
Anne Sexton
Kerouac
Burroughs
Amiri Baraka
Wallace Stevens.
Recent Work
Goodbye/Lucky by Ron Woodruff
eye level
AP by BlueDemon77
Dactylic hexameter quatrain
Strike two Trochaic pentameter
Contest Wins
This member has not yet won any contests.
Workshops
| Skill level: | ||||
|---|---|---|---|---|
| An Exploration of Style, Subject, and Critique | (syllabus) | Shark Pool | Started 2015-05-08 | Concluded |
| The Bottom Line | (syllabus) | Olympic Pool | Started 2013-09-09 | Concluded |
| Naked Emotion, Truth and Originality | (syllabus) | Splash Pool, Olympic Pool, Shark Pool, Plunge Pool | Started 2013-07-30 | Concluded |
| Collaborative Couplet Quatrains | (syllabus) | Wading Pool, Splash Pool, Olympic Pool, Shark Pool, Plunge Pool | Started 2013-05-12 | Concluded |
| THE THEORY OF RELATIVITY (poetically speaking) Beginning | (syllabus) | Splash Pool | Started 2013-05-17 | Concluded |
| Show And Tell: Intensive Critique Workshop | (syllabus) | Shark Pool | Started 2013-02-28 | Concluded |
| GREAT POETRY (a workshop) | (syllabus) | Splash Pool | Started 2013-01-19 | Concluded |
| Eternal Renga Continues | (syllabus) | Wading Pool, Splash Pool, Olympic Pool, Shark Pool, Plunge Pool | Started 2012-11-07 | Concluded |
| fixed verse – it's not a curse | (syllabus) | Olympic Pool, Plunge Pool | Started 2012-10-28 | Concluded |
| Mindful Memorable Freeform: The Challenge | (syllabus) | Shark Pool | Started 2012-08-31 | Concluded |
| Eternal Renga | (syllabus) | Wading Pool, Splash Pool, Olympic Pool, Shark Pool, Plunge Pool | Started 2012-08-22 | Concluded |
| Critique workshop - positive critiques | (syllabus) | Olympic Pool | Started 2012-08-25 | Concluded |
| RHYME PATTERNS (part 1) let's begin | (syllabus) | Wading Pool | Started 2012-08-07 | Concluded |
| Working With Japanese Poetry | (syllabus) | Splash Pool | Started 2012-06-10 | Concluded |