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Editing - polished draft

GOOD HOURS (imagery shop poem) by Robert Frost

I had for my winter evening walk_
No one at all with whom to talk,
But i had the cottages in a row
Up to their shining eyes in snow.

And i thought I had the folk within:
I had the sound of a violin;
I had a glimpse through curtain laces
Of youthful forms and youthful faces.

I had such company outward bound.
I went till there were no cottages found.
I turned and repented, but coming back
I saw no window but that was black.

Onus Plus:

Being positive
Truly regenerative
Fine restorative

Learning

I listen to leaves, then know the sound of falling;
and smelling dew-kissed acorns, I gain the scent of morning;
Waliking brush-grown Logging roads in mid-October, I gain the knowledge of the home-life of squirrels;
Remembering sweet September showers, tears of summer on Autumn's cheeks, my thoughts flow across the pages of unborn volumes, leaking words

C. Lon R. Bruso

MY LOVE (first poem)

My love is like a clear spring day
whose golden sunbeams go their way
then suddenly explode in dew
to sparkle once again like new

Like spotting a quail upon the ground
her young ones following around
with a tiny chirping sound
this bird not sure just where she's bound.

Or spying a small calf just born
a frolicking this sunny morn
crying out with joyful bleat
while running 'round on tireless feet.

(repost) Visions In The Fire

Visions In The Fire

I sense a culmination
in close approximation
it brings a shudder
this sensation
of expected expiration
like embers glowing
in the campfire
soon to burn out
like dying note of
polished lyre
I note the winds have changed
carrying smoke
and fallen leaves
with the changing season
my heart grieves
and yearns for
lost days gone by
the ghosts that fly
in the face of
our handful of tomorrows

Sonnet on The Man

O, that the child was ne’er conceived at all
nor yet excessive tell his birthing cries
cast not of God, but else God’s nearest ties.
Without he live, none founder ‘neath the pall.

Mankind in bliss and ne’er to ween the crawl,
despairing of lost joy, lamentful sighs
of liberty so failed no hopes disguise
the base unyielding curse of his enthrall.

White Gods of Hell in lapse for he did come!
Pale traitors felled betraying Dire Prince
held bleak aloft in dark the faltered chain.

Farewell to Sears

With the blood of a hundred camels, I wash my fetid hands of this corner of the world.
Dripping puss and raining sweat with arthritic twists are they now knurled.
A thousand fretting troubles thou may juggle in thy abandoned hands,
But my ears are deaf, my eyes drip blood and I am off for other lands.
Cry your bleating, worried moans of lonely isolation.
No longer will I weep and swoon before your angry instigation.
For year after horrid, weighted year and days as dark as the grave,

Then Came The Night

Then Came The Night

An Epode of Sorts

Through timelines immemorial
mankind has written poems.
With wordsmith nigh celestial
he filled nigh endless tomes.

Who wrote the first to poesy shape?
When did he recognize
the panacea’s posed escape
from all he did despise?

His epode came before his prose.
He beat the drums aloud.
Heartfelt the elegist knew throes
of joy and pain enshroud.

‘Longside the painter in the cave
the poet sang his song.
He sang of gods and heroes brave
and what he thought was wrong.

Glenda

Woman, I have loved you since before the World began
and I shall never leave you, nay not even if I can.
I learned your name long ere the Sun and silver Moon arose.
No spirit walked the Earth alone before ‘twas you I chose.
The Music of the vast blue seas was silent when I saw
compassion in your hazel eyes that held me rapt in awe.
Your grace and beauty first perceived renew each moment since.
Your every move, unspoken word does all of this evince.
Ere long I’ll hear no melody that owes its glory to

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