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BlueDemon77
Member since June 4, 2012
Member for 14 years
Goodbye/Lucky by Ron Woodruff
Goodbye/Lucky by RW
I have to find the barrier, the drop,
the scarier stop
The rest of the 80-90 empirical proof
If I'm a goof I'm glad to be so
loud and free
though I often whisper
Open scars and mean guitars
my family name will not last
The past, the apathetic Czars
the prototype, the blast
I am quite insane
looking through cellophane
but despite have had a transcendent life
Read the rest of the poem Show less
as fun as spontaneous writes rife
with honesty, sometimes ugly
somber or unleasant
and the stars above
and I the coiled pheasant
gripping underbrush shrub
when the grey sky breaks
and the guns discharge
It like wrestling is fake
and truth a colliding barge
for love and poetry's sake
I wish it more than goodbye.
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BlueDemon77’s timeline
- June 2022
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04 SatAnniversary
10 years of membership
- August 2017
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20 SunReceived a critique
on Goodbye/Lucky by Ron Woodruff from @arja
"wow! as usual, your mind has traversed into different fields of interesting ideas and places again.." - June 2017
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04 SunAnniversary
5 years of membership
- March 2015
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16 MonNew follower
@weirdelf
- October 2014
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07 TueNew follower
@Barbara Writes
- March 2014
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28 FriReceived a critique
on Goodbye/Lucky by Ron Woodruff from @eightmenout
"Speaks volumes. Sent me off into different mental planes and brought me back again. Hope all is going well with the book. Did you get the professorship? Scott" -
27 ThuReceived a critique
on Goodbye/Lucky by Ron Woodruff from @emeka ozurumba
"good collocation of massive ideas" -
26 Wed
- January 2014
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14 Tue
- December 2013
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24 TueReceived a critique
on eye level from @eightmenout
"Your language, as always, is superb. I liked the rhythm especially the third stanza. I do think the last two lines could use a little more of a dramatic break. Up to you,. just my take. topic is great, sounds like you m…" -
21 SatReceived a critique
on AP by BlueDemon77 from @weirdelf
"I want to give this a very different reading. http://vocaroo.com/i/s1lTgskhYkJC Big difference hey? I'm getting a blast from the vocaroo bit. Dig the poem. When self-flagellation is not enough, ask a woman who has falle…" -
10 TueCritiqued
"A maestro is born...Reviewed kind courtesy expert poets" by @loved
"Hi loved, In my earlier critique, I stated honestly that I felt you were drawing from the British Romantics and the French Symbolists movements to your detriment. This was later stated by Billy. Neither was a falling gu…" -
03 Tue
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03 Tue
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03 Tue
- November 2013
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29 FriCritiqued
"A maestro is born...Reviewed kind courtesy expert poets" by @loved
"Hi loved, I enjoyed your work, the truth, and the mythology behind it. That being said, I think you lose a lot in attempts to be "arch-poetic". As much as I love the Romantics and Symbolists, referencing back to that st…" -
26 Tue
- October 2013
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24 ThuCritiqued
"The Drags (with better spoken word link)" by @weirdelf
"It was a story well told, and your reading was flawless. Highest accolades on this fine piece. Ron" -
24 Thu
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24 ThuCritiqued
"Autumn Dreams 'with audio' " by @Barbara Writes
"I loved it. So calm and soothing and read with just the right amount of import. You're a natural! Thanks Barbara! Ron" -
24 ThuPosted a poem
Anti-Randology-Anapestic Hexameter by Ron Woodruff (bluedemon77)
"http://vocaroo.com/i/s0wApGX3ajh6" - September 2013
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30 MonCritiqued
"Quatrain of Pentemeter - iamb " The Bottom Line " workshop " by @Barbara Writes
"When you look at Wesley's famous example: "TO be OR not TO be, THAT is THE quesTION WHETHer 'TIS noBLER of THE Mind to SUFfer THE slings AND arR0WS of OUTra GEous FORtune." You can see that he is following a very strict…" -
30 MonCritiqued
"Quatrain of Pentemeter - iamb " The Bottom Line " workshop " by @Barbara Writes
"The key to Iambic pentameter is that it begins with a stressed syllable, followed by an unstressed one. This combination of two syllables is called an IAMB or foot. In Iambic pentameter, there are five feet per line. Yo…" -
30 Mon
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30 MonCritiqued
"Quatrain of Pentemeter - iamb " The Bottom Line " workshop " by @Barbara Writes
"Iambic is kind of easy for me, one of those things that just clicked, with all my years of playing bass. I took Wesley's Dum de Dum de Dum de Dum de Dum de HERE is / A line /THAT per/HAPS will/ DEfine ANy/ ISsues/ THAT…" -
30 MonPosted a poem
"The Dome": Dactylic Hexameter quatrain- Ron Woodruff
"The Dome by Ron Woodruff (BlueDemon77)" -
26 Thu
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23 Mon
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23 MonPosted a poem
Trochaic pentameter-Ron for Bottom Line workshop
"Silence deafens growls under the forest" -
17 TuePosted a poem
Scansion and Iambic quatrain (workshop)
"1. “When I have FEARS that I may CEASE to BE…” (Keats)" -
17 TueCritiqued
"Rula's iamb quatrain (Bottom Line WS)" by @Rula
"Technically, the use of 'occults' as verb is correct according to the online dictionary sources I checked. My apologies; I hadn't seen it used that way before. Ron" -
04 Wed
- June 2013
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04 TueAnniversary
One year of membership
- November 2012
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10 SatNew follower
@Seren
- October 2012
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29 MonNew follower
@Blaqueman
- August 2012
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04 Sat
- June 2012
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15 FriHighest posting month
June 2012 — 10 poems
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11 MonFirst critique offered
on "R A Y N E . . . . . . " by @Esker
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10 SunFirst publication
4/4
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04 MonJoined Neopoet
Membership begins
First poem published 7 days later.
About Me
I have studied and loved what is considered High Literature but I still care as much about the vitality of a genre writing. Much of my poetry comes from the topics of Love, War, a pattern to the universe, what it all means, sexuality, and narrative storytelling. I love enhabiting other voices.
Location: Columbus, Ohio, USA
Rimbaud
Coleridge
Sylvia Plath
Robert Lowell
Allen Ginsberg
Ai
Langston Hughes
Maxine Kumin
Anne Sexton
Kerouac
Burroughs
Amiri Baraka
Wallace Stevens.
Recent Work
Politicula
Predatory
Fedora on the rack....
Point Omega
First Evening
Contest Wins
This member has not yet won any contests.
Workshops
| Skill level: | ||||
|---|---|---|---|---|
| An Exploration of Style, Subject, and Critique | (syllabus) | Shark Pool | Started 2015-05-08 | Concluded |
| The Bottom Line | (syllabus) | Olympic Pool | Started 2013-09-09 | Concluded |
| Naked Emotion, Truth and Originality | (syllabus) | Splash Pool, Olympic Pool, Shark Pool, Plunge Pool | Started 2013-07-30 | Concluded |
| Collaborative Couplet Quatrains | (syllabus) | Wading Pool, Splash Pool, Olympic Pool, Shark Pool, Plunge Pool | Started 2013-05-12 | Concluded |
| THE THEORY OF RELATIVITY (poetically speaking) Beginning | (syllabus) | Splash Pool | Started 2013-05-17 | Concluded |
| Show And Tell: Intensive Critique Workshop | (syllabus) | Shark Pool | Started 2013-02-28 | Concluded |
| GREAT POETRY (a workshop) | (syllabus) | Splash Pool | Started 2013-01-19 | Concluded |
| Eternal Renga Continues | (syllabus) | Wading Pool, Splash Pool, Olympic Pool, Shark Pool, Plunge Pool | Started 2012-11-07 | Concluded |
| fixed verse – it's not a curse | (syllabus) | Olympic Pool, Plunge Pool | Started 2012-10-28 | Concluded |
| Mindful Memorable Freeform: The Challenge | (syllabus) | Shark Pool | Started 2012-08-31 | Concluded |
| Eternal Renga | (syllabus) | Wading Pool, Splash Pool, Olympic Pool, Shark Pool, Plunge Pool | Started 2012-08-22 | Concluded |
| Critique workshop - positive critiques | (syllabus) | Olympic Pool | Started 2012-08-25 | Concluded |
| RHYME PATTERNS (part 1) let's begin | (syllabus) | Wading Pool | Started 2012-08-07 | Concluded |
| Working With Japanese Poetry | (syllabus) | Splash Pool | Started 2012-06-10 | Concluded |