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This poem is part of the contest:

Neopoet Weekly 07/05/26 to 07/11/26

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The Midnight Train

Across the salt flats where the badlands now bleed,
four riders spur horses of a phantom breed.
They halt the iron hearse with a masked demand,
and board the night train in the dark borderland.

But dim lantern light falls on a ghostly crew,
with eyes that are distant and faces askew.
No coal in the engine, no smoke from the stack,
as the midnight train will not ever turn back.

They tear through the coaches with a drawn six-gun,
to plunder the riches of everyone.
Yet jewels that they grab turn to ash in the palm,
amidst the dead silence of a freezing calm.

A thief grabs a coat made of thick winter lace,
but cold fingers brush past his own sweating face.
A girl he once knew turns to whisper his name,
her breath like the frost and her eyes like a flame.

Down deep velvet aisles of a sleeper car,
they gaze on the spirits who travel so far.
A mother long buried, a sheriff they slew,
all drifting away to the dark rendezvous.

The outlaws now learn with a sudden cold dread,
they plundered the coach that delivers the dead.
They reach for the doors just to leap and to flee,
but boots are now frozen for eternity.

A terrified outlaw draws steel to his own head,
he fires the bullet but his soul has not fled.
His ghost remains bound to the floor of the train,
forever locked down in this cycle of pain.

Condemned to the cars where the phantoms still ride,
with nowhere to run and with nowhere to hide,
they ride the dark rails in the pale silver light,
forever trapped in the infinite night.

— RJ Bear, Jul 07, 2026

About This Poem

Review Request Direction: What did you think of my title?
How was my language use?
What did you think of the rhythm or pattern or pacing?
How does this theme appeal to you?

Review Request Intensity: I appreciate moderate constructive criticism

Editing Stage: Final polish

About the Author

Region, Country: Sydney Australia, AUS

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Critiques

neopoet

neopoet

1 week 2 days ago

Neopoet AI (premium) [2026-06]

The below is a computer-generated response from Neo, Neopoet’s AI:

The poem commits fully to its premise, and that commitment is its greatest strength. The concept of outlaws robbing a train that turns out to carry the dead is a strong narrative engine, and the poem executes the reveal with patience, letting the eerie details accumulate before the outlaws themselves understand what they have boarded. The line "they plundered the coach that delivers the dead" lands as a genuine turn because the earlier images—jewels turning to ash, no coal in the engine, no smoke from the stack—have quietly prepared for it without giving it away.

Some of the specific imagery is doing real work. "Her breath like the frost and her eyes like a flame" earns its contrast because the poem has established a world of cold and stillness, so the flame reads as unsettling rather than merely pretty. Similarly, the detail of "cold fingers brush past his own sweating face" is effective precisely because it isolates the one living, sweating body among the dead—the physical sensation carries the horror better than any abstract statement could.

Where the poem is less sure-footed is in its diction, which sometimes reaches for effect at the expense of precision. "A coat made of thick winter lace" is a striking phrase, but lace is thin and open by nature, so "thick winter lace" asks the reader to hold two contradictory textures at once without a clear reason for the tension. Reconsidering whether the contradiction is intentional, and if so making the paradox more pointed, would help this image match the sharpness of the others.

The final stanza risks restating what the poem has already dramatized. "With nowhere to run and with nowhere to hide" and "forever trapped in the infinite night" name the entrapment directly, but the frozen boots and the bound ghost in the two preceding stanzas have already shown it more powerfully. The poem might trust those concrete images to close the piece and let the closing lines do something the reader does not yet know, rather than summarizing.

One rhythmic note: the anapestic meter is handled fluently across most of the poem, which gives it a galloping momentum well suited to riders and a train. A few lines strain against it, such as "to plunder the riches of everyone," where the meter forces an awkward stress onto the final word. Substituting a phrase that falls more naturally into the established rhythm would keep the drive intact where it currently stumbles.

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Alex Tanner

Alex Tanner

1 week 2 days ago

Loved it

Loved it RJ loved the story and the telling. I think it would benefit from some editing to really tighten it and give it even more impetus. Having said that it is one of the most enjoyable poems I have read here for some time..Alex

Ray Bear

Ray Bear

1 week 2 days ago

Thank you

Thanks for reading and for your thoughtful comment for consideration.  I like this poem but have never been truly happy with it. If you liked this one you should try The Saloon of Eternal Dusk series on this site ,  regards Ray 

Lavender

Lavender

6 days 11 hours ago

The Midnight Train

Hello, Ray,

Haunting. Vivid imagery.  I will disagree with AI regarding "...a coat made of thick winter lace." I felt an intense heavy coldness, almost void of feeling.

Enjoyed this!

Thank you!

L

 

Ray Bear

Ray Bear

6 days 3 hours ago

Thank you

I do really love writing about the weird and wild west. Glad you enjoyed it. Regards Ray 

kellustzall

kellustzall

5 days 20 hours ago

This art piece reminds me of…

This art piece reminds me of the song "A light so dim" by The Black Heart Procession, its about ghostly pirate ship, and this one is ghostly wild west train. It's the long winded introduction to the atmosphere for me, its giving gothic spaghetti western country music to my ears. Steady rhythm, deadly imageries. "four riders spur horses of a phantom breed" tbh this line hypes them so much i though it was gonna be a creepy courage the stupid dog episode, only to be trapped in the train like everyone else, that contrast is very interesting. One small thing tho, you used a lot of repetition like dark borderland and dark rendezvous, frozen for eternity and trapped in the infinite night, they are all excellent arguments, but might consider more diverse framings of them to set them apart cause here they kinda echoing the same sentiment, which is fine if you were aiming for emphasis. Cozy read at night!

Ray Bear

Ray Bear

5 days 3 hours ago

Thank you

Thank you so much for this. Honestly, reading your feedback felt like sitting down with a friend over a late-night drink and just talking shop about the stories we love. Regards Ray 

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