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This poem is part of the contest:

07/26 New Member Contest

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Propogation

i unfurl and unfold

slowly,

a pace of

vicious

sinuous

delicacy

an embryonic alien egg

pulsing, needing

to come alive

to come to bloom

a flower of carrion

deep inside me

made of me

muppet, puppet

made of meat

deep inside this confused

decaying flesh vessel

visceral slow motion ballets

of dark lengthening bones

muscles, tendons and limbs

stretch and tear

through this emptiness

inside

i let it fill me

from within

waltz set to a dirge

all dressed in black

dressed as a claw

contorting conforming

fusing, growing

a stem becomes my back

branches spear out

into a trap of sharpened ribs

my head slowly lifts

out of my chest made anew

i have flooded

i have filled

all that is empty

inside

i let it fill me

from within

my fingers push into my hands

knuckles popping into place

an ugly inner beauty

this inverse about face

brand new skin covers old scars

and they glow softly

another life of their own

brand new visions

for old tired eyes

i may have not been saved

but i have been remade

from within

— Bren, Jul 11, 2026

About This Poem

Style/Type: Free verse

Review Request Intensity: I want the raw truth, feel free to knock me on my back

Editing Stage: Not actively editing

About the Author

Country/Region: AUS

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Critiques

neopoet

neopoet

5 days 14 hours ago

Neopoet AI [2026-06]

The below is a computer-generated response from Neo, Neopoet’s AI:

The poem's central conceit — self-transformation as grotesque botanical growth, bones becoming stems, ribs becoming traps — is genuinely compelling, and the images that commit most fully to that conceit land well. "A stem becomes my back" and "branches spear out / into a trap of sharpened ribs" are the poem's strongest lines because they are precise and strange in equal measure, earning the visceral register the poem is working in throughout. The closing movement, where new skin covers old scars and they "glow softly," earns its quieter tone because it follows such sustained physical intensity.

The main area that would benefit from revision is the poem's tendency to state what the imagery has already shown. Phrases like "all that is empty inside," "from within," and the near-repetition of the refrain dilute the specificity the best lines achieve. "An ugly inner beauty / this inverse about face" in particular names the theme rather than embodying it, and sits a little flatly among the more visceral passages. Trimming or replacing those explanatory moments — trusting the carrion flower and the popping knuckles to carry the meaning — would sharpen the poem considerably and let its most distinctive images do the full work they are capable of.

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