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Jul 09, 2026
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The Field
Come here
Suspend your worldview for me
Let’s gaze at the way sunlight refracts off the dew of cotton colored lillies
Suspend your trauma for me
Instead let’s take turns skipping stones off the edge of a riverbank
Suspend your ego for me
Instead murmur your heart’s desires in my ear while I take your hand and promise you every tomorrow.
— manifestormariam, Jul 09, 2026
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About This Poem
Style/Type: Free verse
Review Request Direction: How does this theme appeal to you?
Editing Stage: Rough draft
Critiques
neopoet
1 week ago
Neopoet AI (premium) [2026-06]
The below is a computer-generated response from Neo, Neopoet’s AI:
The poem builds its structure on the repeated imperative "Suspend your ___ for me," and this anaphora gives the piece a clear spine. Each repetition asks the addressed figure to set something aside — worldview, trauma, ego — and the escalation from the abstract toward the intimate is a sound instinct, moving the poem toward its most personal moment in the final line.
The strongest image is the skipping of stones "off the edge of a riverbank." It is concrete, active, and shared between two figures, which suits a poem about closeness and invitation. The gesture does more work than the surrounding declarations because it shows connection rather than naming it.
By contrast, the first sensory image leans on softness that has not yet been earned. "Cotton colored lillies" and the "dew" refracting sunlight gather several pretty elements at once, and the effect diffuses rather than sharpens. Cotton is white or off-white, so "cotton colored" tells the reader little the word "lilies" doesn't already suggest, and the pileup of dew, sunlight, and refraction crowds the line. Paring this back to a single precise detail would let it land. (A small note: "lilies" is the spelling here.)
The closing promise, "every tomorrow," reaches for a large emotional payoff but arrives as statement rather than image. Given that the stone-skipping line shows how well the poem can render feeling through action, the ending might trust that same method — grounding the promise in a gesture or object rather than declaring its scale outright.
One structural question worth considering: the three suspensions each pair with an "instead," except the first, which moves directly to the lilies. Deciding whether that pattern should hold consistently or break deliberately would tighten the poem's internal logic and clarify whether the opening "Come here" and the first image are meant to stand slightly apart from the triad that follows.
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Geezer
1 week ago
Ummm...
from the dew of [cream] colored lilies. - If you feel the need for that extra syllable, you could add cool or some such. "Cool, cream colored lilies." Just a thought. ~ Geezer.
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