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staring at the ceiling

.

from the ground
the ceiling looks so much wider
from the ground
its cracks seem much finer

the paint peels -
minute flags, off-white surrender;
the paint peals -
egg shells of heavy footed plunder...

revelation fall free
on this soul that has been bound
revelation fall free,
release this pretender from the ground

.

Review Request (Intensity): 
I appreciate moderate constructive criticism

Comments

an excellent piece of writing. perfect in everyway!

Namaste,

Lenny

_________________________________________
"Death" is nonsense: what is there to die?
"Life"? How could " life" "die"? That is a contradiction
in terms. Can "light" become "darkness"?
"Light" can only cease to be apparent

Wei Wu Wei

I am deeply appreciative of your kind words of comment. Thanks again, Frederick.

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'write on! let these words free.'

author comment

I love this as each time one reads it it is different,
creates different images in the mind and as the
ceiling and peeling things, and cracks and such
are always fascinatingly evocative of all sorts;
this is enjoyed immensely by me.

Love Ann.

"The image of yourself which you see in a mirror Is dead,
but the reflection of the moon on water, lives." Kenzan.

You have journeyed with this poem as it was intended from its inception.
For that I am eternally grateful. You are much appreciated. Frederick.

__________________________________________________
'write on! let these words free.'

author comment

I like your piece, the repetition's are strong and not
overdone. It does seem to me that the meter isn't quite
right on the first and third verses, perhaps not important
but I thought I'd point that out.

The second verse to me is the strongest, meter and
thought flow in almost perfection, except ... The paint
peeling, seems to be plural, in spots, made me want to
add "s" to "surrender" and "plunder" ... may just be me.

The last line seems a leap for me, maybe it's just the word
"pretender", not sure.

merely observations, very strong images here, enjoyed the
read!

I have had misgivings about the metre, but I probably always (to my loss) prioritise thought over versification. And we do come to a point where we have to make a choice. Indeed the second stanza is the strongest.

the paint peels -
minute flags, off-white surrender;
the paint peals -
egg shells of heavy footed plunder...

the paint peels, there are like minute flags, the symbolic of surrender.... off white being a contrast to the white flag usually associated with the act of surrendering.
the paint 'peals' as in the pealing of church bells or simply bells - but its sound is like that of egg shells....

The last line of the poem I have no excuse for. It will either stand or be replaced in due season. In the latter case, when I find a suitable verse that does not lose the meaning of the current one. A likely substitute is - 'free this poser from the ground,' or 'release this poser from the ground.'

Hope it wasn't too painful to read. It seemed from your comment that a few issues may have hindered the enjoyment somewhat.
Thanks for interacting with me on the poem. Cheers.

__________________________________________________
'write on! let these words free.'

author comment

It wasn't painful in any way for me, I hope you accept the few
issues I found in the spirit given, Neopoet is first and foremost
a workshop for poetry ... in my opinion, there are no completed
poems until the poet is dead. I know that I have many that I like
to think are completed, but find myself changing them just the
same, because of many reasons, but mostly for logic's sake.
The last line, to me, is illogical, the subject (being you) would
like to be released where? into the ceiling, into the air, to fly
away ... to me it doesn't follow the rest of the poem, but it
doesn't hinder my enjoyment of the poem in the least, in fact
to me, it gives us reason for interaction ...

thank you

I believe our continuing interaction reflects my acceptance of your comments and the issues you have raised. Perhaps I began my response in such a way that made you feel otherwise. I am fully aware of what neopoet is and also have my own opinions. And should you accept these opinions then we are on a two-way street. I wrote in reply not to defend the poem or assert its completion but to share how this particular poem came about and the reasons why I had decided to 'complete' it the way it was posted up. The subject here in this poem, is the poetic persona. It doesn't have to be me, per se. When I wrote this, the idea was to portray someone laying on the floor having a surreal, melting clocks experience, if you will. It wasn't meant to be strictly logical. The release could be taken as a freeing from that mental state, or surreal journey while looking up.... and it could also indicate a return to 'normal' living... to sit up, get up on their feet and get on with life... whether it be to go to work, do some chores... whatever banal activity has to be get on with.

__________________________________________________
'write on! let these words free.'

author comment

Then we are certainly on the same street!

You had me back peddling on the subject, but to me,
"this soul", "this pretender" indicates first person.
I love the explanation for the last line, and now it is
a much easier reach, but still not quite there the way it is
presented now, and only for me obviously, perhaps it is my flawed
reading.

I thank you for the conversation, enjoyed it immensely !

with respect

Richard

much obliged, Richard. Cheers, Frederick

__________________________________________________
'write on! let these words free.'

author comment

CB,

really liked this one. I find it left the reader thinking about one main theme...why were they on the ground in the first place? The lack of information as to why really adds to this piece and opens up a myriad of answers.

Love the 'off-white surrender' line...sublime.

I see you've used 'ground' in your rhyming sequence in the first stanza and the last. I know you are looking to change the last line by dropping 'pretender' but I wonder if an alternative word to 'ground', but still rhyming with 'bound' would be useful.

kind regards,

HS

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With all that I am and all that I could be, I walk this earth, yet nobody sees me.

Your suggestion would right my listing ship... I just realised this, after you have pointed it out.... the over repetition of ground tends to weaken the poem. I will come back to this and hope that a new stronger revision would give it a solid ending. Many thanks HS.... CB

__________________________________________________
'write on! let these words free.'

author comment

Hello Cryptic Dear!

You are so lucky,
Blessed with a dialogue
With the one and only Moon-man
For whom I’d give my life,
If only he could my poems scan

We all know
I know little or nothing
Of meter
Neither rhythm nor rhyme,
Still I compose prosaic poetry,
That as you once did once say,
Twas no crime

But I have a definite mission,
Of my own
To read all of yours,
You all I can’t disown.

I looked at my ceiling,
Twas a bit blinding,
Of that much later,
Tis now yet so cryptic
My dear,
Now I’m winding

loved

That you would get on the floor and peruse the ceiling
just as this poem had so recently suggested
has provided a parallax to the existential soul
alternative views of life invested
making our understanding whole

__________________________________________________
'write on! let these words free.'

author comment
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