Indeed a time which brings the chaos of change. It also brings good things like Me lol.....stan

March seems to be your favorite month probably because it welcomes spring. I don't know you let it stomp because it was held back pretty long almost to the edge of March. What I liked most about this poem my friend is its rhythm.
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nice work for a month we usually "beware the ides of.."

I would consider breaking the poem into 2 stanzas that start with March.
The only line I question is "booms away on the bridge" I feel the bridge is too abstract, as there are small and gigantic ones, and would prefer an adjective for more description of the bridge or another accessible image for "booms"- a loud sound. (example, Booms through the trees, which would cause the frightened birds to go to the roofs.)
Otherwise tight work.

I simply could not get any sort of handle on this poem, hence the very belated response.
I'm very pleased to see Raj's response "What I liked most about this poem my friend is its rhythm."
That's what I was looking for.
Care to inform me a bit about your intentions?

You have a finely tuned sense of cadence but it is not meter. This is where the process gets tricky and at times a bit tiresome for both of us. You doing seemingly pointless exercises like a schoolchild and me going through the lengthy process of parsing them. I can't think of any short cuts. Do it just once, I urge you and promise you you will feel a new power in your pen. Four quatrains, all in strict meter. One in Iambic pentameter, one in trochaic hexameter, one in Anapaestic trimeter or pentameter, one in Dactylic trimeter or pentameter. There is a reason for the foot count which you will realise as you work with each meter. They all have distinct sounds and tone. Every poet should do this exercise at least once in their life. In fact I'm going to run a superquick workshop starting immediately with this exercise as the whole thing while Stan's 'Unfinished Works' is on hold.